Description

Purvis Young Original Large Signed House Paint and Ink/Pen Figurative Drawing of Five Angels in Chains on back of August 2008 Miami District 109 Bess Mc Elroy Electoral Sign LARGE PIECE 34.5 x 46 inches High Quality piece of Purvis's Later Work Circa late 2008 - Very unusual for this late period that he used the Carpet frame Look closer at the Carpet Frame and you will see the inherent carpet pattern detailing of narrow black lines meshes with the work and helps define the piece. Purvis was very particular and complex in his choices. There is a particular meaning therein. Five Black Angels with Haloes -Chained to the System Purvis was to pass away approx a year and a half later on April 20th 2010 Purvis Young (1943-2010) The work of the urban black vernacular artist, Purvis Young, has roots in the dreamy fields of high art subject matter-evoking Picasso in its riders, its elegant horses, its nudes. At the same time it is filled with the energy and syncretism of the world's vanguard-American urban Black culture. It is to "outsider art" what be bop is to the blues. The subject matter rides on a thick layer of color, attention, choice, free-swinging composition that refers to a thousand years of composition before it. Young lived and worked in Overtown, a neighborhood in Miami cut off by the highway overpasses that loom over it. He was "of the community, but is also, now, of the larger art world as well." He has researched art history avidly and has seen what other artists have done, spending years in the libraries that have supported his work. He has chosen his imagery out of Overtown and his own life, and out of the resonances of the past as well. Young's choices of materials-the discarded boards he uses to paint on and to "frame" works; the fragments of text, the use of books to mount the works-are not made by happenstance, though early on they may have been the fruit of necessity. Now these are elements of meaning. Now they insist on the presence of the street, full of stuff, humanity, words, scraps, full of the exchanges that create the most exciting cultural milieu in the world, creative, tragic, excessive, beautiful, wasteful. - Ann Klefstad